First, graffiti art are usually loose forms. But these forms are usually just clear enough to represent what they're supposed to represent. The shapes are loosely created, and the subjects overlap one another in a rather random manner. Highlights are applied to the image if needed but again, these are loosely applied.
Second, texts are usually visible, and drawn in an embossed manner that gives a 3D impression. These texts usually form a few words or a short phrase, and makes up a part of the entire graffiti artwork.
And finally, graffiti art is usually created with a wide variety of colors. Bright and luminous colors like red, orange, yellow, green and blue are preferred. There's little or no intention for color harmony and the goal here is to create a dazzling array of colors that draw attention to the graffiti art itself.
Due to these characteristics, it's no surprise that we see so many teenagers being drawn to graffiti art. But once you recognize these characteristics, you'll also come to understand that it's not all that hard to create a piece of graffiti art, even if you know little about drawing.
For a start, you may want to look up some tattoo images to use as reference images or to draw inspiration. Images like skulls or roses make great subjects for graffiti art.
Once you have your image ready, you'll need some magic markers as well. Try out the same image using different colors and see which end result you prefer. You may also wish to add in some texts.
Glittering markers make an excellent drawing tool for graffiti art. I'm sure you'll have a lot of fun with these markers. And don't forget, never draw on public property without permission!
I rolled my eyes and wondered what kind of crazy situation I had gotten myself into with this class. I was intrigued that any real professor whose expertise is in urban studies would encourage let alone mandate that his students pay attention to the graffiti art that practically ruined the look and feel of many major cities in our country and around the world.
After a brief introduction of himself, the professor of that class began the semester by showing us a slide show of graffiti art from around the world. He played the entire show without saying a word of explanation. When it was finished he simply walked over to the chalk board and wrote another line underneath what he had already written about paying attention to graffiti art. He wrote: "Because it reveals the major issues of that culture's youth."
I got out my notebook for the first time that semester and wrote those two phrases onto the top of the first page. I was still hesitant about where the professor could possibly be taking an introduction like this, but I was more intrigued than before after watching the slide show of graffiti art and realizing just how artistic it truly was.
Our first assignment for that urban studies class was to find a photograph of graffiti art that was from a major U.S. city and to write a two page reflection on what we thought the graffiti art revealed about that particular city's youth. I had no idea when I chose a picture from Chicago and wrote about it just what I was doing to shape the rest of my life.
To make a long story short, that urban studies class and specifically our discussion of graffiti art revolutionized my thinking about the peoples of the world. I learned that a culture is revealed by small things like graffiti art that we usually take as annoying when we visit somewhere. All that to say, the next time you travel don't discount a city's graffiti art as something ugly or offensive. Instead, see what you can learn about the youth of that city through the graffiti art because I guarentee there is much to be learned.
Before graffiti artists start bombing the streets, they typically learn how to write graffiti with pencil and paper. The following steps are intended to be an introduction to writing in graffiti.
Step1 Choose a word to write in graffiti. Many graffiti artists use their name or pseudonym.
Step2 Choose a graffiti style. There are dozens of unique styles for writing in graffiti. You might consider becoming familiar with different styles by taking note of professional pieces of graffiti in your city or online. One of the most popular graffiti styles for beginners is bubble letters.
Step3 Once you have found your graffiti style of choice, keep an example of it on hand for reference. Put your pencil to paper and make light strokes to mimic the style of your example. Erase and rewrite as necessary until you are satisfied with your pencil drawing.
Step4 Add details such as shading or graphics. Use your creativity. Keep it relatively simple until you grow comfortable writing more complex graffiti.
Step5 Use trace paper or a photo copier to make a copy of your completed pencil drawing. This will make it easy to start over in case you make a mistake in the next step.
Step6 Use a marker or pen to darken the pencil marks. Make them permanent. Use colored markers or crayons to fill in your letters and compete your graffiti writing.
Step7 Keep practicing and experimenting with graffiti to develop a unique style you can call your own.
Way before there were all these electronic networks, there was piecebooks. And within the confines of the book's covers, writers explored styles and studied up on the art. With that in mind, Sacha "SHR" Jenkins and David "Chino" Villorente have compiled dazzling pages from the real sketchbooks of graf legends like Zephyr, Lady Pink, Dondi and Sane for Piecebook: The Secret Drawings of Graffiti Writers (Prestel).
"Piecebooks are also used to collect work from other writers we respect/admire," says Villorente. "There are very few items a writer might buy at 14 years old that they'll still be purchasing and passing around at 41." Through close attention to design detail--simulated duct taped spine, illustration proportions and texture over 200-plus pages--the two have triumphed, where most have failed, in capturing graf's authenticity in book format. --Mass Appeal, Issue # 51
Before it hits the wall, graffiti is often painstakingly planned out in a sketchbook or piece book. Well-worn and dog-eared, these books are passed along from artist to artist as a way of sharing ideas and offering instruction. Here hundreds of drawings, most of them never before published, are reproduced on uncoated paper to resemble the pages of an authentic piecebook. Bold and beautiful works from graffiti history s most important sources or seeds Zephyr, Dondi, Daze, CRASH, Lady Pink, T-Kid, CAP and Ghost, among others represent a dizzying array of techniques.
The authors, former graffiti practitioners themselves, offer biographies of the artists and an introductory essay on why piecebooks have become such valuable historical records. Fans of graffiti will find this an irresistible inside look at how their favorite artists perfected their talents.
The dancers, representing paints and colours, move within large, sculpted graffiti-style letters made of wood, steel and upholstery, all created by the British graffiti artist Prime, of Sculptural Graffiti. The dance theatre piece, set to a score by DJ Pogo that combines hip-hop break-beats and scratch patterns, charts the story of an obsessive graffiti writer.
"We're not trying to define whether graffiti art is a crime or not: we know that it is," Jonzi D says. "But it is also an artform. We are having a creative discussion on the vandalism and the criminality and the artistry of the form."
The graffiti artist is played by John Berkavitch, a performance poet and breakdancer who is also a graffiti artist. "Like a puppet master, he shapes the bodies of the dancers with an imaginary graffiti wand into images that come to life," Jonzi D says. "He is exorcising his personal and creative demons in the only way he knows how."
Since graduating from the London Contemporary Dance School in 1993, Jonzi D has dedicated himself to hip-hop theatre, creating Lyrikal Fearta in 1995 and Aeroplane Man in 1999. He was an associate artist at The Place, London, and has performed dance theatre all over the world. He is also the creator and host of Breakin' Convention, the annual hip-hop festival at Sadler's Wells in London.
